Education
| 1995-1997 |
The Claremont Graduate University
(MFA) Claremont, California |
| 1989-1993 |
Humboldt State University
(BA) Arcata, California |
| 1991-1992 |
Accademia Di Belle Arti
Florence, Italy |
Selected Solo Exhibitions
| 2010 |
William
Turner Gallery, Venice, California, "Resampled |
| 2004 |
William
Turner Gallery, Venice, California, "New Paintings" |
| 2002 |
William
Turner Gallery, Venice, California, "Remnants" |
| 1999 |
William
Turner Gallery, Venice, California, "New Paintings" |
| 1998 |
William
Turner Gallery, Venice, California, "Paintings in the
Third Person" |
| 1997 |
Peggy Phelps Gallery, The Claremont Graduate
University, Claremont,California, "Melange" |
Selected Group Exhibitions
| 2021 |
London Art Biennale, London, UK |
| 2004 |
William
Turner Gallery, Venice, California, "Real Abstraction" |
| 2001 |
Irvine Fine Art Center, Irvine, California, "251
East 10th Street" |
| 2000 |
William
Turner Gallery, Venice, California, "Group Exhibition" |
| 1998 |
Marcia Wood Gallery, Atlanta, Georgia, "Representing
the Construction or Constructing the Representation: The Quantum
of Action in Abstract Art" |
| 1998 |
Nexus Contemporary Art Center, Atlanta, Georgia,
"Revisions" |
| 1997 |
Arman Hammer Museum (Rental & Sales Gallery),
Los Angeles, California, "Sunshine in Noir" |
| 1997 |
Richard Heller Gallery, Santa Monica, California,
"Three Weeks in LA" |
| 1997 |
Marcia Wood Gallery, Atlanta, Georgia, "LA
Emerging Artists" |
| 1997 |
Arman Hammer Museum (Rental & Sales Gallery),
Los Angeles, California, "LA Currents: A New View, Emerging
Artists in Los Angeles" |
Bibliography
LA
Weekly, Pick of the Week, Peter Frank, October, 2004
Los
Angeles Times, Getting at the Partial Truth of What We See,
Leah Ollman, June, 2002
New American Paintings, Oct., 2000
Robert Ruffell Pope III, Florida State University
Doctoral Thesis, The Abstract Painter as Snake Handler: An Investigation
and Interpretation of the Practice of 5 American Abstract Painters
in 1998, 1999
Art/Text, Arron Sturgeon,
James Scarborough, Nov., 1999
LA Weekly, Pick of the Week,
Peter Frank, June, 1998
Creative Loafing, Quantum Leap, Donald Locke, May, 1998
Atlanta
Journal-Constitution, An Absorbing Look at what Abstraction Represents,
Jerry Cullum, May, 1998
Artists and Madmen Weekly, A Journey is
Not a Commute, Alicia Griswold, May 1998
New Art Examiner, Studio View, James
Scarborough, Oct. 1998
New American Painter, Oct., 1997
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